“Well, the situation is pretty dire here. The guidance we offer all of our clients to put everything they’ve got into tinned provisions and hunting rifles.” This piece of shrewd guidance comes from the Brain Gremlin – a scientifically altered, speaking, bespectacled member of the slick creature crowd that infests Manhattan’s ultra-modern Clamp Tower skyscraper in director Joe Dante’s unhinged continuation Gremlins 2: The New Batch. Superficially, it’s merely an portfolio pointer from one monster to another. But, in a strange manner, it’s also remarkably sound existential counsel. Truly, consider my perspective.
When things go bad, the most counterproductive action you can do is view events with undue solemnity. The Brain Gremlin comprehends this. Indeed, a large portion of the toothy monsters that populate Dante’s wild 1990 film (arguably his best) possess the same knowing, self-referential sense of humour regarding the indistinct border separating the mundane and unadulterated chaos. It’s one element of Gremlins 2: The New Batch that maintains my loyalty – and with the passage of time, it’s the message that echoes the loudest.
Naturally, my attachment to this movie wasn’t born on such an introspective level. Growing up, we only had a few scratched-up video tapes at home. Included within that collection were Gremlins and its follow-up, the latter housed in a thick former-rental sleeve almost certainly acquired from an independent video outlet and sporting snarling creatures on its knackered cover. I was instantly captivated and these films quickly proceeded inserting themselves inside my tiny, impressionable mind. After that point, they became an almost-daily part of my childhood viewing routine.
Dante’s initial installment commonly garners all the praise, thanks primarily due to its legacy as a moderately spooky festive favorite – and let me be clear, I’ve watched Gremlins an incalculable number of times. That said, its successor rarely gets the same level of elevated esteem, which feels unjust. As a kid, I’d always seize the chance to watch Gremlins 2. During sunny school summer breaks, I’d retreat into the house and stick it on. When I obtained my very own TV-VHS combo unit, it stayed in constant rotation in my bedroom. Over time, it ingrained itself in my psyche. If my parents detected this preoccupation, they gave no indication of concern.
As I matured, new insights enriched frequent screenings, elevating the fun of watching small emerald creatures joyously wreck a New York high-rise. I learned the future-focused real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the eventual commander-in-chief Donald Trump, with his auburn-haired worker Marla (Haviland Morris) echoing his former spouse Marla Maples. Fortunately, Clamp demonstrates more humanity than his actual-world equivalent.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a genuine “Doomsday” video commissioned by the CNN boss Ted Turner should the world actually met its demise. I noticed how Dante went out of his way to film different iterations of a self-aware scene where Gremlins seize control of the very film you’re watching. An edit for movie houses, one for VHS and TV, each delivering a smirking slice of fourth-wall-breaking cultural alchemy before the term was even a thing.
While it was makeup maestro Rick Baker’s fantastically vile creatures that captured my attention as a child, this hidden treasure maintained my fascination as an adult. In time, I even spoke to Dante about it myself and he had no hesitation revealing to me he made the movie with the direct intention of poking fun at those who loved its goofy-but-heartfelt predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This Looney Tunes-esque rebelliousness and commitment to not take his sequel as seriously as his Warner Bros bosses evidently expected, only increased my affection for it.
When I went through a unexpected loss in the family not long ago, I was astonished to realize that, during my heightest mourning, all I wanted to do was sit and watch Gremlins 2: The New Batch. Odd, no? Perhaps not. The comforting familiarity it furnished was necessary to thin out my mind’s grief morass – but the perspectives it had given me as an adult were just as useful.
Like Gremlins running amok in a genetics laboratory, there’s certain elements in life you just cannot manage. Dante is aware of it. The Brain Gremlin agrees completely. Sometimes, you have to be like them: embrace the chaos, invest all your resources into tinned provisions and hunting rifles and try not to take things too seriously.
It’s powerful existential guidance from a most improbable origin – and it’s why Gremlins 2: The New Batch will always be my go-to cinematic solace.
A digital strategist with over a decade of experience in tech innovation, focusing on helping businesses adapt to emerging technologies.